In Reciprocity Nico Couck explores the possibilities of the back-and-forth motion; whether it in physical energy, sounding textures, or even in the performer’s approach to an instrument. How can constantly interpolating gestures become relevant and substantial in musical practice?
Simon Steen-Andersen’s work transforms musical information to visuals in the opposite way of Mark Applebaum’s work. Johannes Kreidler creates a multi-dimensional space of sounding and ‘außermusikalischer’ motion - while Clemens Gadenstätter’s music balances on the verge of instrumental sonorities and spoken word. And finally, new work by Stefan Beyer in which the semantics of sound production are compromised.